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The Final Hero: Chapter 3

This is a bit different from chapter 2, so don’t worry if you feel lost at first! Throughout the book (annotated there, unlike here), there are first person chapters where Sai tells his story to someone. Here’s the first:
 

"Winds and Their Riders"

I don’t have so much of a story as moments that I will always remember. I would guess many people’s lives are like that: a collection of memories, of moments. They’re worth remembering for the hard times. For when you’ve fallen too far and that ever-present light of hope has dwindled to a glimmer, and you can’t remember what it feels like to have the sun on your skin or dirt between your toes.

Where to start?

My father told me that stories are the most important form of art, because without them we have no way of learning from others mistakes. After many of his long adventures, he would sit the four of us round the hearth and tell us a story. Some were heroic, others gripping and tense, but most were sad. I’m afraid mine may be more of the latter.

But…not this one. From when I was young, my father taught me to stand back up. Not how to win a fight or how to convince someone against their will, but to stand up when I’ve fallen down. It didn’t seem like the most useful skill at a time where my siblings were nurtured toward oration, or hunting, or even how to bake bread.

But I can say looking back that my father had a plan for me. And it began with getting up. Because, as my father said, there’s not much you can do with your butt on the ground.

That to be said, I never won a fight against my brother.

Most siblings fight with words or fists, but my brother Theo and I fought with wooden sticks and strict rules. You’ve got four limbs, and if one gets hit twice with the stick it’s “out”. You can’t use it and must hold it behind your back or not stand on it. Our father taught us this game once we were both old enough, say, when I was ten and Theo was nine. It was good practice, and I blame whatever semblance of skill I have in the sword on the long evenings and sometimes nights that we spent duking it out. Against all odds, I always found myself on the losing end.

That’s not to say I never got close.

One such time was eight years ago, when I was eleven. There were pads on our sticks, sweat dribbling from our necks and over our arms, and a redness in both of our cheeks. It was the middle of summer, and even up on the mountain it was blisteringly hot. Jets of steam sprayed from fissures in the rock, laid by our ancestors years before.

As one would expect, neither of us were wearing shirts.

That made it particularly obvious when one of us got hit. I had fallen backward upon blocking one of Theo’s vicious strikes, and he pointed his stick at me and laughed. That perturbed me.

My knees felt like mud, but I jumped to my feet and returned my practice sword to guard position. “Ready…” I started.

“Go!” Theo said, and lunged at me with that grin he gets when he knows he’s going to win. He was only ten at the time, but that didn’t stop his ego from growing at least three years in age.

I flicked the jab away and swung at the meaty part of his sword arm. He caught my wrist with the opposite hand, then walloped my forearm with his sword. I nearly dropped my weapon in surprise, but Theo just hopped back and pointed at it. “That one’s out. You gotta switch hands!”

“I know,” I muttered, and switched the sword to my left hand. I’ve never been much good with my off hand; Theo knew this. As I tested the sword’s balance in an attempt to stall, I complained, “How are you so good at this already?”

We played every weekend when Mom didn’t have us out chopping wood or hand-planing beams of the stuff for her projects. But when I wanted to take a break for the Season of White,  my brother had taken my practice sword and found opponents elsewhere. I already knew the answer to my question.

My brother decided to be snarky. “It’s easy,” he said, hopping from one foot to the other, “Just pick an open spot and swing.”

I grumbled and fell into a guard stance with my sword held at an angle. Our father had taught us three stances: guard, offense, and balance—each with different strengths and weaknesses—that we were supposed to test out and learn the flow of.

Always the rebel, my brother created his own. He held his sword in both hands, crouched low, and smiled. “Come on!” he said, “It’s no fun if you don’t try and attack me too.”

That got me. I ran at him, tried to feint with an attack from above, then switched and cracked my sword against his right sword arm. He stepped back, stunned, and nodded in confirmation of the hit. We continued.

Theo swung at my new sword hand and I bat it away. He swept my feet, and I jumped and jabbed at his receding hand. He flicked it away and snaked out for my shoulder. I blocked high, swung low, and caught Theo’s right leg on the meat of the thigh with a thwack.

When I stepped back to confirm, he tried to swing the sword at my outstretched hand. I hopped away and pointed the tip of my sword at him. “Hey! Right leg?”

Theo grit his teeth, regained his composure, and nodded with a frown. “Right leg.”

I dashed forward as soon as his stance was up. Theo blinked, frozen for just a second, then swung wildly toward me. I bent, slid, and tripped Theo with my sword as I passed. He tumbled, rolled to his side as I tried to strike, and recovered.

When he rose, he wasn’t smirking anymore.

I dashed at him, and we danced left and right. Theo jabbed at my arm, I cut at his leg. At some point he got in another hit on my arm, but we didn’t stop fighting. We were panting, fuming, letting it all out without hold of stances or rules.

When we got hit, we didn’t put the limb away. Arms that were long gone swung out, grabbing for a fistful of shirt or hair as we fought with everything within us. I thrust at his arm, but he flicked it down, then drew a strike across my face. It caught my cheek, but we kept going.

I tried to hit his side, but rather than try and avoid it Theo got even closer. I hit him, but up in my face, he snarled and rammed the hilt of his sword into my stomach.

It knocked the wind out of me. I folded over his sword, coughing, and he threw me to the ground. I ate a mouthful of dirt, rolled, and dropped my sword.

Theo stood over me, looming. “Alright,” I said, and held up my hands. “I forfeit.”

Now, children get angry over silly things. We had both gotten pent up at times, frustrated at each other for a thousand unresolved reasons. Little cords, never untied between brothers. That’s the sort of look I expected in my brother’s face: one of frustration. But I still remember the look in his eyes. They were cold—hollow, almost—as he panted. He cocked his head to one side, chin up.

Then he stepped away and flicked some sweat at me. That imperceptible look was replaced with a grin. “I accept.”

I exhaled, sat up, and the two of us laughed.

Two hours later, we sat around the hearth with my father, nursing bruises and listening to a verbal beating. Our father heard of how we broke the rules and went at one another without restraint. “That’s how you get hurt,” he said, pointing at the blossoming bruise on my stomach. “Stick to the rules, and you’ll learn. They exist to keep you safe.”

But for a moment in the rush, I had seen my brother look at me like an equal. The moment at the end, I buried until later. But in the middle, it felt like that was how it was supposed to be: standing toe-to-toe, fighting for all we were worth. I don’t know how long it’s been since Theo looked at me like that: like his brother, like family, like a rival.

After the chastisement, my father—always keen to pair justice with encouragement—still asked how it went. We both excitedly told him our version of the fight as he slowly and liberally applied whiteberry paste to our bruises. The stuff is fantastic, if you’ve never used it. Numbs the pain with the added benefit of a slight healing effect. Great for kids who often return home with bumps and bruises.

Mirai probably used more than the rest of us combined.

But that’s beside the point. This was when my father first decided to talk to us about Veins. Theo and I had both seen them before around Rakuken as they were used by Wargraves, farmers, and of course, my father. We had asked both Mom and Dad, and had gotten the surface-level explanation. Magic, and something out of our reach. They were the stuff of heroes.

This was where my love of them truly started[1] . Later I would see feats of my father’s abilities, and marvel at the intricate workings of Lev’s contraptions or Rane’s relics, but sitting there, surrounding the hearth, was where the fire was lit.

It started when my father had finished applying the white paste on me, and was adding the finishing touches to the pelt on Theo’s leg. “How can I get powers like yours?” I had asked.

My father had been cooking a hare on the fire of the hearth, and turned the spit slowly with one hand as he handed the jar of paste to Theo. “A Vein, you mean?”

“Yeah,” I said. “I keep losing to Theo, and I want to be pick him up and throw him over when he cheats.”

“Hey!” called Theo, but he was grinning.

Kai smiled and flipped his hand palm up, gesturing the two of us over to look. He drew a triangle in his palm, stopping at each of the points. “There are three, one for each of the states: solid, liquid, and breath.”

“That’s everything, isn’t it?” said Theo quietly.

Kai held up a solitary finger. “Everything physical. Parts of the world do not fall under a state, such as light and fire, that we cannot control. Beyond the things between, Veins have the ability to interact with all matter, so long as it is within their state.”

That’s when I asked the question that had been burning in my chest for too long: “Which one do I have?” I’ve mentioned that Kai had a Breath Vein, though I assume you already knew that. My mother was a Vein as well, so it stood to reason that I would inherit one.

“We don’t know yet,” said my father. “Part of the decision is up to you, should you have one. The Choice comes when your Vein awakens, where you will decide between Foundation or Control.” My dad rolled up his sleeves and held out his arms. Theo and I scooted in as a green light shot through his veins, running up from his fingertips to his shoulders. “I control Breath, and as such…”

The glow in his arms grew, and the previously still air of the living room surged toward his hand, drawn to the light. My father supported his right arm on his knee as it lost muscle, growing thin and gaunt. In response, the wind did not just run toward his, but started to circle around it. In that moment, it was like a miniature storm had grown in our house, localized around the hearth. The wind buffeted the fire and tossed our hair.

Theo and I laughed, feeling the wind. Little wisps of light from my father’s veins trickled out and mixed with the wind, which I now know was him imbuing it with a little of his Identity, giving the wisps a piece of himself. In this way, they were visible to Theo and I for just a moment before they slipped back away into the realm of the invisible.

But for that short moment, I saw them: the winds dancing and playing to some unheard melody. They were so free in that second, in that heartbeat, that I captured the memory of that day with both of my tiny fists and never let it go.

When my father released the wind, he sucked in a deep, extended breath. “That’s the consequence,” he said, breathing hard. “Every second uses your breath. Thus the name.” He smiled, and droplets of sweat glistened on his forehead.

Theo and I were utterly enamored with the concept. We asked him everything, receiving in return how Breath didn’t just control the air, but all gasses, and how it would trade the fundamental force of life, Vis, for control. We asked about Founding, and how they grow matter, and any other question that had been itching to be asked.

We didn’t understand most of the answers, and wouldn’t for some time. But I was focused on one thing: how I could, as fast as possible, become a Breathbinder like my father. So I could see those eddies on the wind again, and perhaps ride with them on the currents of the mountain.

And, of course, so I could beat my brother.

There’s chapter 3! It’s fun to write both first and third person, because I get the best of a more flexible and intimate style with first person, as well as an easier book to write with third. I’m definitely more comfortable with third person, though.

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Technology Tree (Curiosities)

This week’s post is coming in a little late, mainly due to the travel I had to take for work. But it begins another type of post, “Curiosities”! I have tons of side projects, whether they be with programming, or magic system ideas, or whole series, that I think are fascinating for one reason or another. These posts will go into each idea and both give me space to talk about them and a chance for them to see the light of day! (Since, most likely, many will wilt away in Obsidian.)

Today’s topic is a technology tree! No, not from Factorio (though that game is a gem of automation). This sort of tech tree:

It might look confusing at first, and you might be wondering why I would do something like this. Those are both good points. This isn’t even the half of the tree.

I’ve been working on an idea for a stone-age fantasy story for a while, where the advancement of technology is suppressed by both warmongers and wizards. I won’t get into specifics here, but I needed a path that went from natural resources (seen above) all the way up to the creation of a book.

And so the tech tree was born! I know I missed some things, but I also feel like I got a wide breadth of available resources. Specifically, I missed a lot of exotic resources, which I plan to remedy in the future. But let’s start with the natural resources.


From trees, streams, animals, stones, and soil, you can get lots of things. The lines indicate what resources are required to make something, and while it starts out like Minecraft, the tree quickly evolves into specific technologies such as a mill or wheel, and early alternatives like a bone fishing hook or paper made from strips of wood.

You can also see the minerals tree peeking in:

This is by far one of the most lacking. I wanted to capture the region-locking of some minerals and how that might hinder cultures, but metal-refining is already so complicated that I didn’t think it would advance much before they made a book. I’ll get back to this one.

Speaking of ones I’ll get back to, we also have the honorable mention and most recent addition, region-locked animal products!

 

It’s not great, I know. But it’s a start!

The area I’m the most proud of is certainly the region-locked resources, which should really be region-locked crops.


I add what I did here (separating crops into climates) for minerals and animals, but that will add more work to an already huge tree. I’m coming back for them though! One of the huge things I learned through this is that olives and flax/linseed are incredibly valuable. I have yet to add the breadth of all the applications each one can be used for, but the list is massive.

And that, by in large is the tree. It was an enlightening experience, and after much research it really makes you wonder how long it would take a group of people to discover this much. But now that I have it, I can cap certain cultures into different technologies, until they’re finally combined to make that coveted book.

Here’s the full tree, for reference:

 

If you see anything drastically wrong, let me know! I want to make this as realistic as possible, any my knowledge of how things came to be isn’t the sharpest. And as far as the app I used to make this (Obsidian), it will receive its own Cool Tools post in the future, because I use it for everything.

Cheers!

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The Oak Tree (Short Story)

The city that spread out before the oak tree was ridged by large buildings towering over gray slats of cement. Wires hung between the towers like necklaces, carrying gondolas two and fro between the stations at the peaks. The towers made glass walls, reflecting a display of colored clouds on the streets below: large swaths of pink, blue, orange, and green that covered the city in a rainbow glow.

And there was Wroth, arched over a withered park encroached by cement, with his branches splayed out to provide shade that no one wanted or needed any longer. When Wroth had been only twenty rings old, families crowded this park for picnics and mid-day getaways, all gaping up at him in awe. The oak tree had held lovers retreating for time alone in his boughs, watched young men stroll with beaming smiles and letters of acceptance, and rarely, a woman coming to grieve beneath his shade.

He had been their joy, a sight to behold, a beauty. But that was nearly one hundred rings ago, and Wroth was growing old. Some of his branches had been sawed off to make way for a shiny new swing set, and his leaves were half the green they once were. He was feeling old, too.

Sometimes, when he would blink and sunrise would turn to sunset. Time passed him by; every year cement marched closer and closer to his trunk.

One thing was constant, one thing that stayed the same: the woman. Since ten rings ago, she had come once a year to sit on a small bench just outside of his canopy, stare up at him, and sketch something on her pad. She had long brown hair that danced in the wind and clothes of every style and color. If Wroth were asked—which no one really did of a tree—he would say that she rivaled the colored clouds themselves with her beauty. As she grew older, confident, mature, Wroth wilted.

There came a time where he wondered why she spent so long staring at him, dragging charcoal across paper for something like hours. So Wroth caught a brushing wind and leaned out over his little area to catch a glimpse of the woman’s paper. It was…him! There lay on her page a large sketch of Wroth in charcoal, limbs spread out like he was reaching for the sky. As the wind settled him back to his spot, Wroth contemplated.

Why would such a beautiful woman spend her time drawing him? And what did she see that made her return each year? He was perplexed, which is a lot to say for a tree over 120 rings old. Yet, she kept visiting. Wroth realized that every time she came, she drew him anew, and every time it made him feel something different. First shame that a woman of her talents would waste time on him. Then, interest as he saw her dedication. And finally, whenever the woman approached with charcoal in hand, he felt pride.

This woman, a masterpiece in her own right, had decided to draw him. So, Wroth could bear the little children clawing at his bark, and teenagers taking their rage out on his bent limbs, and the silent, cold nights alone just so that he could see her again next year. Every day in between was one spent looking forward, waiting, wishing, believing.

Now when he watched the colored clouds rushing past, he did not fret over their color. The cement could get closer, but it could not stop the woman’s dedication. The people who used to crowd around him could leave, and it did not bother him. He was Wroth, and even if there was only one woman in the whole of the world that cared about him, he would be okay.

He let some of his leaves be snatched away by the wind, and dug his roots in a little deeper, and positioned himself to create the most appealing image for the woman to draw. But one ring, she stopped coming. One ring turned into five, then ten, then one day Wroth awoke and realized he had been waiting for forty rings.

People, such as they were, die. Wroth watched his leaves fall, less and less of them growing back each ring, and thought of her. Thought of her breathing her last and wishing that she were buried beneath him so he could be with her for the rest of his life. But he was alone, and his leaves fell and fell, and soon Wroth had little to show for the majestic oak he once was. His heartwood was cracked, his bark was gray, and almost no one came to the park anymore.

It was winter, snow piling on him like a horrible weight, when three figures approached him. There was an old woman, long gray hair peeking out from her winter coat, and two little children with ruddy faces shivering against the cold. Wroth watched as they sat on the bench and felt a flare of anger in his age. Who were they to sit there, on her spot, on her day. How dare they taint Wroth’s memory of her?

Then the elderly woman looked up, and he saw the artist’s face. She smiled and took out her pad and charcoal. Wroth was perfectly still.

The two children ran around him, playing tag, squealing, until the artist woman called them over and handed them crayons and paper of their own. They sat on either side of her, sketching their own tree.

If Wroth could weep, he would. It had been years—decades—since he had seen her. In that time, he had grown old, pale, and gray. He saw on her face wrinkles, spots of age, and countless stress marks all accounted. Yet she was as beautiful as the day he first saw her. Now they made a pair. And all the pride she had instilled in him, he gave back to her.

The children were drawing. Wroth leaned one more time, using all the strength in his roots, and watched as they painted him in every color they could manage. Blue for the trunk, red for the limbs, and thousands and thousands of green leaves. How…? How did they see so many beautiful colors in him, old and decrepit?

Then he saw the woman, smiling up at him in that way she always had, and Wroth realized that never, even long after she passed away, would he be alone.

This has to be one of my favorite short stories that I’ve ever written. Even in re-reading it for some editing before posting, it brought me to tears. And I mean ugly tears.

The prompt for this was to take a world that another writer had made (my wife’s: an urban rainbow city with towering skyscrapers and gondolas), and pair it with a character a different author designed (Wroth, a Treant whose wife was cursed to be human).

Thank you for reading. Please, if there’s any creative hobby you’re pursuing, keep going. Take the next step. Just start. I promise you that you’ll find beauty along the way.

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No Longer (Short Story)

Hold up! This is a sequel story! I recommend reading “Cold Steel”, the original story, first. If you’ve already read it, enjoy this sequel!

Carn ducked beneath a hail of bullets behind a stone barricade. He grinned at Hardsteel beside him, blood oozing from his shoulder and staining his tattered white shirt. The cyborg was trying to fit the left side of his face back onto his head but couldn’t get the piston to compress right. Hardsteel gave up, leaving his eye and half of his mouth to dangle.

Even without it, Carn recognized Hardsteel’s attempt at a smile. Carn winced at more gunshots, scooted away from the edge of their wooden barricade, and reached for his ammo bag. “Damn,” he said. “I’m all out.”

Hardsteel’s servos hissed to life, and a little dust puffed from the pistons holding up his arms as he pointed at Carn’s mouth. “Keep that mouth clean. You are not a thief anymore.”

Carn shook his head, but Hardsteel was right. He had to set an example. Even if the woman he should be setting an example for was almost five years older than him. She squatted a few feet back, nursing a bruised cheek, scrambling to unjam her gun.

Carn waved at her to join them, but when she rose to come over, the gunfire started up again. Carn gritted his teeth, nodded at Hardsteel, and they leapt from their barrier just as the bullets stopped. Carn threw his empty gun at the first man he saw—an Enforcer, like Hardsteel, who had been approaching their location from the large building ahead of them—and the weapon pinged off the cyborg’s brass cranium. He turned in a robotic motion toward Carn and pointed his pistol before Hardsteel pumped six bullets into the Enforcer’s central computer.

The Enforcer hitched back then collapsed. “You have failed to follow the second initiative,” said Hardsteel. “May they salvage your hard drive.”

Carn took the opportunity to join the woman, Reya, in the cover of a stone slab. “Here,” he said, grabbing for the gun. “Let me have a go. I’ve repaired Hardsteel over a hundred times.” Maybe more, in the nearly ten years since Hardsteel had saved him and the two of them started on the run.

Reya uncomfortably handed it over, then watched as Carn quickly took the Enforcer-issue pistol apart and cleaned the bits that had been jamming. “Is this really worth it, Carn? Returning all this money? We could run and make a life for ourselves in another city. They say the outer rim offers a relaxed law and plenty of criminals to chase.”

Carn shook his head, shoving a clearing rod down the barrel. “Hardsteel said we’d return it to the Enforcers, so that’s what we’ll do. They’ll give it back to the right people, and we’ll have done the right thing.”

Reya shirked away as Hardsteel and an Enforcer traded blasts. Carn didn’t look up; he couldn’t bear to see another piece of Hardsteel’s armor pry off in the gunfire. They’d find a way to buy more parts. They’d have to. “What’s the ‘right thing’ worth if we die?” Reya spat. “Why do you care?”

Carn looked straight into Reya’s eyes. He could see the black tattoo peeking out from her back, two tips of the swords arching over her shoulders and onto her collarbone. “Reya. You are not a thief anymore. You’re one of us now, which means following the second initiative. That means we do the right thing, no matter what it means for us. You stole from needy people. We can survive. We will survive.” He pressed the gun handle-first into her palm and leaned in. “Even if we die, at least we die right.”

Reya’s face contorted in confusion, but Carn didn’t have time for her. He sprinted from cover, feet throwing up dust, and screamed. One of the Enforcers Hardsteel was fighting saw Carn and pointed, then fired. Carn cried out as he tumbled, bullet lodging deep into his thigh. It didn’t feel like it hit a bone.

He tried to crawl up and saw Hardsteel engaged in a hand-to-hand brawl with a second Enforcer. Hardsteel’s head swiveled to Carn, concern in his mechanical eyes. The first Enforcer, the one who shot Carn, stomped closer. When Hardsteel tried to pull away from his tussle, the brawler pinned him. Carn watched the approaching Enforcer and spat out a dry laugh.

“It’s easy to shoot a still target, isn’t it?” He pulled the sleeve of his shirt down, revealing the worn, stretched tattoo on his wrist. “Well, shoot me then! Once a thief, always a thief, isn’t that right?”

The Enforcer leveled his pistol at Carn’s head.

“No.” Bam! The Enforcer took a staggering step back, looked down, then was hit with a second volley from Reya’s newly repaired pistol. She lifted Carn by his good arm and pulled him behind cover. Then she plucked the bag of money from her hip and tossed it at the collapsing Enforcer.

“People can change. And I think it’s time I do a little right for once.” Reya glared at the Enforcer pinning Hardsteel, then squeezed off two rounds with perfect aim into the police cyborg’s neck, then shoulder. His pistons failed and he released a still functioning Hardsteel.

Hardsteel recovered and joined them. “We will go.” he said, and scooped Carn up from the ground.

“Hell yeah we will,” said Reya, throwing one last look over her shoulder at the Enforcers.

Still bleeding, Carn craned his neck from Hardsteel’s arms and grinned wide. “Keep that mouth clean.”

I’ve really enjoyed playing with the themes of justice and change with these two, and maybe in the future I’ll do a third one. Thanks for reading!